The End of NaNoWriMo 2011

So I can add one more (potential) novel to my list of writing credits. I finished the rough draft of “Twelve”- the prequel to “Ouroboros” – which currently has a word count of 58, 435 words. It’s by no means finished, but the skeleton is there so now I can begin fleshing it out and streamlining things I’ve already written. This year’s NaNoWriMo is by far the most intense I’ve ever taken part in, and it’s 100% because I was doing while still trying to keep up on my Creative Communications work load. I very much enjoyed it though. The novel was my bowl of coffee beans in a fragrance store, it helped me cleanse by palate when I thought I was going to go insane from school work.

One part of my journey as an author is finished but now I have to get onto revision and then submitting it for possible publication somewhere. I found this on StumbleUpon and it gives me hope. Here are eleven famous writers who were rejected before making it big!

via Bubble Cow

Rejection and writing go hand-in-hand, but sometimes it feels that those pesky publishers simply don’t know what they are talking about.

Here’s eleven reasons writers might just be right after all…

  1. Madeline L’Engle’s book, A Wrinkle in Time, was turned down 29 times before she found a publisher.
  2. C.S. Lewis received over 800 rejections before he sold a single piece of writing.
  3. Margaret Mitchell’s Gone With the Wind was rejected by 25 publishers.
  4. Zen and the Art of Motorcycle Maintenance was rejected 121 times.
  5. Johathan Livingston Seagull was rejected 40 times.
  6. Louis L’Amour was rejected over 200 times before he sold any of his writing.
  7. The San Francisco Examiner turned down Rudyard Kipling’s submission in 1889 with the note, “I am sorry, Mr. Kipling, but you just do not know how to use the English language.”
  8. An editor once told F. Scott Fitzgerald, “You’d have a decent book if you’d get rid of that Gatsby Character.”
  9. The Dr. Seuss book, And to Think I Saw it on Mulberry Street, was rejected for being “too different from other juveniles on the market to warrant selling.”
  10. George Orwell’s Animal Farm was rejected with the comment, “It’s impossible to sell animal stories in the USA.”
  11. The manuscript for The Diary of Anne Frank received the editorial comment, “This girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the curiosity level.”
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